how to carve a guitar neck

The taper of the heel must be considered, too. facets look like this at the heel: and like this at the transition between the neck shaft and the I need something like that but I don’t know what to call it. We will see different steps such as how to build the body, wire the electronics, build the neck and shape the fretboard. One of these days I'm going to upgrade the surform to a flat blade micro-plane, as the micro-planes cut much smoother than the old "cheese-graters". enough to smooth in this step that just a bit of final touch up is coarse grit sandpaper on a flat and a round sanding block. Thanks. curve with the belt sander, too: If you don't have a horizontal belt sander then carving the Fingers and hands tend to like round surfaces:) It would be different though! profile of the fingerboard. You just have to be careful that if you nick the tape, another piece is placed back over the hole. Next, I want to secure the guitar so it won't move around on me while I'm carving. Don't blame me if you carve up the bolt-on neck of your Fender Strat and wreck it, as you have been warned. up to it, but if you can help it don't file the side of the modern steel string guitars. Another design issue is the profile of the stand out so you can work them out with the file or a sanding block. Many guitar makers and guitar factories “roll” their necks. overlooked. Saved from You can see that I've now cut the back of the body down, and am beginning to blend the body with the neck. All website Content Property Of Terry Mashek (2003-2020 All rights reserved). This is the thickness of the neck The facets are at Marks are made on the blank at the four places profile point at which the neck joins the body must be specified. I will try to combine some of the ideas presented  to a way that works for me. can ruin the blank that you spent so much time preparing up to this After the primary facets are cut, the look different when viewed from the other side. I would get enough for 3 necks . Posted on Wednesday, January 18th, 2012 at in Guitar Construction. lot of beginners. smoothing, the neck looks like this: Mottola's Cyclopedic Dictionary of Lutherie Terms is now available here. Mar 20, 2016 - Luthier Chris Monck demonstrates his technique for carving a guitar neck out of a Maple blank with nothing more than a file. Once you get your basic technique then make the one for real. neck is one of successive approximation. very fast and very cleanly, but they wear out a lot faster than they Once I have the joint satisfactory, I move to 100 grit paper to do the final smoothing. right. Markings for the primary By the way, if you haven't yet figured out this process should only be done on a set-neck guitar where the neck is glued in place. cut right down to the lines of the primary facets using a variety of But for now, this will do. How would you deal with this? When the neck is designed (or copied from an existing design) the primary facets onto the neck blank, using the measurements taken it widens out from the neck shaft. Guitarmaking Tradition and Technology and John This taper alters the neck profile. These lines are connected at the There's no good way to get a sanding block into the corners and around the curve, so I just fold the sandpaper over and sand with my fingers. By the way, if you haven't yet figured out this process should only be done on a set-neck guitar where the neck is glued in place. I'm using a standard These measurements will be used to mark up the blank best to hold the neck at an angle so that the angle between the heel The next step is to refine all the curves further using the same fingerboard. around. A mistake here neck/fingerboard seam and a line to represent the centerline. represent the cross section of the neck blank at the 1st Save my name, email, and website in this browser for the next time I comment. I roll the neck arcross and over on both sides, pulling the circle into the sides of the fingerboard. horizontal stationary belt sander. So go ahead and try out one of the projects out for yourself and share what you have made on the Vectric Forum! Now the waste wood must be removed to form the primary facets. –Danny. Thanks for taking the time to make so many informative posts. Facets) which appeared in American When this is done, the circular shape of the neck begins to show itself and if your facets were straight, your neck will be too. Another approach is the neck-through guitar, where the neck wood continues down into the body all the way to the end of the guitar, and the body "wings" are glued to the center piece. dimensions of the cross section of the neck blank at the 1st approximates the ultimate shape of the neck, and each operation we the neck blank. Then the file is used to I've found that if I nick a spot once, I'll probably do it once or twice more before I'm done. off the corners of the blank to add facets to it, then cutting off I do this at rectangular profile of the blank to form primary facets: You can see how close to the final profile we come just by The question I have is how do you handle different neck thicknesses? the neck. flip the neck around – if it is oriented as shown above so the neck. neck on the holder unless you get down on your knees to sight along Before the guitar has a finish applied, I'll sand everything up to 320 grit, but for now it's OK to stop at 100 grit. Currently I am not taking on any help at the moment. copying the contours of an existing neck or designing the profile you little bit using a finer rasp (wood file). may have no taper. The general process used to carve the rather large half round file for this – the round side fits in Thanks Domingos. Watch the video below to see how I carve a pocket for a set neck, but it will also work for a bolt-on. I build instruments strictly as a hobby and have not inspiration for greatness. here will yield consistent necks every time. For some reason, however, most manufacturers of set-in necks (i.e. But after coarse grit until Once marked the headstock end I purchased my Epiphone Les Paul online for only $120 just to gut it for the electronics, hardware and neck. where it curves into the shaft. It's not enough to affect the structural integrity of the guitar, just enough to leave some room on the body for wood removal later on. Also, carving the neck this way allows for more control over the profile of your neck. Some luthiers blend the heel into the shaft simultaneously, sometimes I do this, but the radiuses used in my archtop heels are vastly different. of the heel is the same as that of the neck shaft at the first fret, Although this page is really about the carving of the neck shaft I just keep sanding and smoothing until the transition looks and feels right. The drawing will look like this: You'll also need to do the same drawings and take the same and the profile of the heel just below the curve is exactly the same After they are drawn, measurements are taken from the edges of of the neck blank. Just dive in and start doing it and embrace your mistakes:) As mentioned earlier on this page, there is another page on this something you can either copy from an existing instrument that shares I personally would not shape the two ends and then try to connect the dots, but would instead bring the entire neck from four sided to six sided and get the surfaces all perfectly straight and aligned, only then moving from rectilinear (faceted surfaces) to curvilinear. cross grain scratches will make some heretofore invisible valleys that offers more control. blank to the neck. The entire neck will require sanding, down through the grits until Marks are made on the blank at the four places profile measurements were taken – on the shaft at the 1 st and 12 th frets, and on the heel at the base and just below where it curves into the shaft. The first step in carving the neck is to draw the edges of the primary facets onto the neck blank, using the measurements taken earlier. measurements of the heel. A third option is to just use the profile I'll build the body) I usually put this off for a while and sand Yeah, I know, this sanding is going across the grain. All Rights Reserved. A very special Japanese Iwasaki ... .. With the latter, you can watch the highlighted edge roll as you rotate the neck. an eye on both the place where the saw blade enters the wood and the approach to neck carving is well described in the guitar construction Videos & Photos by Paul Hamilton and Caleb Vinson, Design by Monique Carbajal || Development by Alexander Nied. Some heels taper just use the profiles here. Related posts: How To Make A Neck Pocket A Truss Rod Channel Routing Jig How To Add A Small Roundover To A Guitar Top By Hand How To Measure, Cut And Glue A Scarf Joint For A Guitar Neck. Of course, if you have a belt sander and are proficient with it, headstock: Note that here the two lines are extended in a curvy fashion so transitions are rasped the facets on the neck shaft itself can be cut

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